David Drake

Dear People,

The most exciting news this time has very little to do with me. I am therefore turning the stage over to my webmaster, Karen Zimmerman:

The new web site is up at http://david-drake.com.  Our very simple original web site went live April 2000 and since then outgrew its ability to handle Dave’s very extensive, rich content.  I hope the new site helps users find things more easily—there are a lot of cross references and access points.  Please be aware that I’m still tweaking things, so you might see changes in appearance once in a while, and I’m still uploading some of the old archival content, including past newsletters and photos. continue reading…

WITH THE LIGHTNINGS (Baen/1998)
LT LEARY, COMMANDING (Baen/2000)
THE FAR SIDE OF THE STARS (Baen/2003)
THE WAY TO GLORY (Baen/2005)
SOME GOLDEN HARBOR (Baen/2006)
WHEN THE TIDE RISES (Baen/2008)
IN THE STORMY RED SKY (Baen/2009)
WHAT DISTANT DEEPS (Baen/2010)

Dear People,

I’m in the middle of the third chapter of MONSTERS OF THE SEAS, the second (of four) novels in my new fantasy series for Tor. It’s moving along at the usual comfortable rate… which as usual isn’t nearly as fast as I wish were the case. continue reading…

Cover art: Steve Hickman

The next Leary-Mundy RCN novel will be released from Baen Books in hardcover September 2010.

I’ll start out with what in my days as a lawyer we would call boilerplate: I use both English and Metric weights and measures in the RCN series to suggest the range of diversity which I believe would exist in a galaxy-spanning civilization. I do not, however, expect either actual system to be in use in three thousand years. Kilogram and inch (etcetera) should be taken as translations of future measurement systems, just as I’ve translated the spoken language.

I really wish I didn’t have to say that. I’ve learned that I do. continue reading…

Dear People,

I intended to start this newsletter by saying that I’d completed the plot of the next RCN space opera and am at work on it. Those things are true (we’ll get back to them), but in my mind the big news is that I’ve returned from BookExpo America (BEA) in the Javits Center on Manhattan.  continue reading…

Cover art: Steve Hickman

The paperback edition of In the Stormy Red Sky is due out from Baen in August 2010.

I learned with the first book of the RCN series, With the Lightnings, that I have to explain that I use English and Metric weights and measures as a convenience to readers, not because I think the same systems will be in use three millennia hence. To me, that went without saying. Here as often, I was wrong.

There are many snatches of song in this novel, as generally in my work. They’re all my paraphrases of real music ranging from The Handsome Cabin Boy to the Carmen Saeculare of Horace. I do this for my own amusement–but people do sing, and I think it gives the work resonance to use pieces that people have sung instead of pieces that I’ve invented. continue reading…

Video Interviews:

In 2008  Blackfive TV did a six-part series of video interviews, sponsored by Baen Books. They are all posted on the Baen Webscription site, and at the Blackfive TV blog site.  You can also find them on YouTube.

Dave talks about his background, writers who influenced him including early SF writers, his military service in the Blackhorse in Vietnam and Cambodia, how he started writing military SF, working with Jim Baen, and generally about his writing career.  He ends with a message for the troops.

Cover art: Steve Hickman

The genesis of my RCN novels was Patrick O’Brian’s wonderful Aubrey/Maturin series, set during and after the Napoleonic Wars. It therefore won’t surprise many of you to find a number of plot points common to O’Brian’s last novels and When the Tide Rises. This is a case of convergent evolution, however, rather than direct borrowing on my part: we’re both working from Lord Cochrane’s memoirs of service under the revolutionary governments of Chili (sic) and Brazil.

Jack Aubrey and Daniel Leary are supporting independence movements as agents of their governments. In reality, the British government threatened Cochrane with prosecution if he accepted the Chilean offer, and the British warships which Cochrane encountered during his operations against the Spanish empire baulked him at every possible opportunity. continue reading…

Cover art: Steve Hickman

I’ve based the setting of Some Golden Harbor on political and military events taking place during the early 5^th century BC in Southern Italy (Aricia, Cumae, and the Etruscan federation). All right, that’s a little obscure even for me, but I found the discussion of Aristodemus of Cumae in an aside by Dionysius of Halicarnassus to be an extremely clear account of the rise and eventual fall of an ancient tyrant.

There’s more real information here than in the lengthy, tendentious, and generally rhetorical disquisitions on Coriolanus (a near contemporary, by the way). I suspect that’s because Aristodemus is unimportant except as a footnote to Roman history, whereas Gaius Marcius Coriolanus provided one of the basic myths of Rome. The real Coriolanus and the real events involving him are buried under a structure of invention, but nobody had a reason to do that in regard to Aristodemus. continue reading…

Cover art: Steve Hickman

The general political background of the RCN series is that of Europe in the mid-18^th century, with admixtures of late-Republican Rome. (There’s a surprising degree of congruence between British and Roman society in those periods.)

Major plot elements in The Way to Glory, however, come from the 19^th century. Those of you who know some American history may note echoes of the Somers Mutiny, and if you’re really well-versed you’ll understand how greatly I simplified the details of political factions both in Washington (Whigs, Democrats, and the intimates of President Tyler whose own party had repudiated him) and in the US Navy. Real history is a great deal more complex than anything I could make up. continue reading…