Eric Flint wrote these books from Dave’s plot outlines:
An Oblique Approach. 1998, Baen.
In the Heart of Darkness. 1998, Baen.
Destiny’s Shield. 1999, Baen.
Fortune’s Stroke. 2000, Baen.
The Tide of Victory. . 2001, Baen.
The Dance of Time. 2006, Baen. continue reading…
Dear People,
I intended to start this newsletter by saying that I’d completed the plot of the next RCN space opera and am at work on it. Those things are true (we’ll get back to them), but in my mind the big news is that I’ve returned from BookExpo America (BEA) in the Javits Center on Manhattan. continue reading…
Dear People,
Well, I haven’t completed the rough draft of THE LEGIONS OF FIRE, the start of my new fantasy series for Tor, but I’m close. And I’m darned consistent: two months ago I had about 60K; now I’ve got a bit over 125K, so I’m averaging a hair over a thousand words a day regardless of holidays, crises (the water line froze; on the other hand, about this time last year a drunk in a pickup crossed the road and hit us, so I’m not complaining), birthdays, colds and flu. continue reading…
Dear People,
Folks frequently ask me how long it takes to write a novel. (People ask me a lot of questions that presumably seem simpler from the outside than they do to me.) The answer depends on a lot of things, in particular the length of the novel. (I average about a thousand words of rough draft per day; thus a novel of 135K words takes around two weeks longer to write than a similar book that was 120K words long.) continue reading…
Dear People,
The major news item is that while I haven’t yet finished IN THE STORMY RED SKY, the next RCN (Leary/Mundy) space opera, I’m getting darned close. As I write this I’m in the midst of the climactic battle, and I hope I’ll have gotten into the conclusion by the time you read it. continue reading…
Dear People,
Baen Books sent me copies of WHEN THE TIDE RISES just before newsletter 43 came out, so by now it’s thoroughly on sale. This is the latest RCN (Leary/Mundy) space opera, and it’s a lovely production.
The splendid Steve Hickman painting is complemented by a transparent foil imprinted with a hologram, here showing the actual holographic display of the story. Steve and the cover designer, my friend Jennie Faries, championed the process, and Toni Weisskopf, the Baen publisher, gave it a shot. continue reading…