David Drake

Cover art: Donato

Those of you who’ve read previous books in the Isles series will note some repetition in these notes, but I go to a good deal of effort to make each book accessible to people who’ve never read anything of mine before.  Bear with me.

The religion of the Isles is based on that of Sumeria.  The magic, however, is derived from that of the Mediterranean Basin during classical times (and probably originally Egyptian). The words of power are the voces mysticae of real spells, intended to get the attention of demiurges whom the wizard is asking for aid.  I don’t believe in magic myself; but a lot of other people, folks who’re just as smart as I am, did and do.  I’m not comfortable speaking the words of power aloud. continue reading…

Cover art: Donato

As is the case with most of my books, a good deal of the background to Goddess of the Ice Realm is real. The general religion of the Isles is Sumerian, though in some cases I’ve interpolated cult practice from the late Roman Republic where we simply don’t know the Sumerian details.

The magic, which is separate from religion in virtually every culture and in at least my fiction, is that of the Mediterranean basin during the Classical period.  The words of power, technically voces mysticae, are the language of demiurges who act as intercessors between humans and the gods. continue reading…

Cover art: Donato

QUEEN OF DEMONS, my second Isles fantasy, uses the structure of Lord of the Isles, so it was simpler to write than if I’d had to construct an entire world. Nonetheless there was the challenge of how much of the first book to recapitulate in the new one. In the event I repeated very little.

With the exception of Standing Down (written to close the first Hammer collection) every one of my novels and stories has a beginning, a middle, and an end. That means basically that I have to reintroduce continuing characters at the opening of each book, but I don’t give any more of their backgrounds than readers need to know to understand the current plot. continue reading…

Cover art: Donato

The common religion of the Isles is based on Sumerian cult and ritual.  That is, the Lady equates with Inanna; her consort the Shepherd equates with Dumuzi; and the Sister fills the place of Ereshkigal, Queen of the Underworld.

Religion in the Isles (and generally, except perhaps in fantasy fiction) is separate from magic.  The magic in Mistress of the Catacombs is based on the practice of the Mediterranean Basin in Classical times.  The wellspring was mostly Egyptian, but there were admixtures from many other cultures (particularly the Jewish).  What I’ve referred to as “words of power” are formally voces mysticae, words in the language of the demiurges who act as intercessors between humanity and the Gods. continue reading…

Cover art: Donato

The (common) religion of the Isles is based on Sumerian cult and ritual, but the magic itself comes from the Mediterranean and is mostly Egyptian in its original source.  The voces mysticae which I’ve referred to as “words of power” in the text represent the language of demiurges; that is, they are intended to have meaning to beings which can then translate human desires to the ultimate powers of the cosmos.  I have copied them from real spell manuscripts of the classical period.

I don’t personally believe that the voces mysticae have power over events, but millions of intelligent, civilized people did believe that.  I don’t pronounce the voces mysticae aloud when I’m writing. continue reading…