David Drake

Cover art: Steve Hickman

I’ll start out with what in my days as a lawyer we would call boilerplate: I use both English and Metric weights and measures in the RCN series to suggest the range of diversity which I believe would exist in a galaxy-spanning civilization. I do not, however, expect either actual system to be in use in three thousand years. Kilogram and inch (etcetera) should be taken as translations of future measurement systems, just as I’ve translated the spoken language.

I really wish I didn’t have to say that. I’ve learned that I do. continue reading…

Cover art: Steve Hickman

I learned with the first book of the RCN series, With the Lightnings, that I have to explain that I use English and Metric weights and measures as a convenience to readers, not because I think the same systems will be in use three millennia hence. To me, that went without saying. Here as often, I was wrong.

There are many snatches of song in this novel, as generally in my work. They’re all my paraphrases of real music ranging from The Handsome Cabin Boy to the Carmen Saeculare of Horace. I do this for my own amusement–but people do sing, and I think it gives the work resonance to use pieces that people have sung instead of pieces that I’ve invented. continue reading…

Cover art: Steve Hickman

The genesis of my RCN novels was Patrick O’Brian’s wonderful Aubrey/Maturin series, set during and after the Napoleonic Wars. It therefore won’t surprise many of you to find a number of plot points common to O’Brian’s last novels and When the Tide Rises. This is a case of convergent evolution, however, rather than direct borrowing on my part: we’re both working from Lord Cochrane’s memoirs of service under the revolutionary governments of Chili (sic) and Brazil.

Jack Aubrey and Daniel Leary are supporting independence movements as agents of their governments. In reality, the British government threatened Cochrane with prosecution if he accepted the Chilean offer, and the British warships which Cochrane encountered during his operations against the Spanish empire baulked him at every possible opportunity. continue reading…

Cover art: Steve Hickman

The general political background of the RCN series is that of Europe in the mid-18^th century, with admixtures of late-Republican Rome. (There’s a surprising degree of congruence between British and Roman society in those periods.)

Major plot elements in The Way to Glory, however, come from the 19^th century. Those of you who know some American history may note echoes of the Somers Mutiny, and if you’re really well-versed you’ll understand how greatly I simplified the details of political factions both in Washington (Whigs, Democrats, and the intimates of President Tyler whose own party had repudiated him) and in the US Navy. Real history is a great deal more complex than anything I could make up. continue reading…