David Drake

Science Fiction & Fantasy Writer

Posts tagged Magic

It surprises me to be asked this so frequently since I thought I’d covered it in the introductory notes to each volume. Classical peoples were heavily involved in magic (as opposed to religion). This seems to have been mostly Egyptian in origin, though there are mixtures of classical religion as well as Judaism and Christianity.

Spells could be for any purpose: revenge on a thief or strayed lover, gambling success, and good health are among the range of typical examples. The person making the spell spoke it or wrote and buried it. A lot of those buried (often in a graveyard) have been discovered in modern times. continue reading…

The Gods Return

The Gods Return

Cover art: Donato. Click on the image to see the full cover spread.

The religion of the Isles is based on the Sumerian triad of Inanna, Dumuzi, and Ereshkigal.  The fact is of more significance here than it has been in the previous books of the series.

The magic (which in the Isles series is separate from religion) is based on that of the Mediterranean Basin in classical times. Its core was probably Egyptian, but it borrowed heavily from other cultures (including Jewish elements). What I call words of power are the voces mysticae which were written or spoken to bring the request to the attention of demiurges. continue reading…

The Mirror of Worlds

The Mirror of Worlds

Cover art: Donato

I’ve based the religion of the Isles generally on that of Sumer: the sacred triad of Inanna, Dumuzi, and Ereshkigal. The words of power, however, are the voces mysticae of the documentary magic common in the Mediterranean Basin during classical times. This was the language spoken to the demiurges who would in turn intercede on behalf of humans with the Gods.

I have no personal religious beliefs, but many very intelligent people believed that these voces mysticae were effective in rousing spiritual powers to affect human endeavors. I prefer not to pronounce them aloud. Readers can make their own decisions on the subject. continue reading…

Master of the Cauldron

Master of the Cauldron

Cover art: Donato

Those of you who’ve read previous books in the Isles series will note some repetition in these notes, but I go to a good deal of effort to make each book accessible to people who’ve never read anything of mine before.  Bear with me.

The religion of the Isles is based on that of Sumeria.  The magic, however, is derived from that of the Mediterranean Basin during classical times (and probably originally Egyptian). The words of power are the voces mysticae of real spells, intended to get the attention of demiurges whom the wizard is asking for aid.  I don’t believe in magic myself; but a lot of other people, folks who’re just as smart as I am, did and do.  I’m not comfortable speaking the words of power aloud. continue reading…

Goddess of the Ice Realm

Goddess of the Ice Realm

Cover art: Donato

As is the case with most of my books, a good deal of the background to Goddess of the Ice Realm is real. The general religion of the Isles is Sumerian, though in some cases I’ve interpolated cult practice from the late Roman Republic where we simply don’t know the Sumerian details.

The magic, which is separate from religion in virtually every culture and in at least my fiction, is that of the Mediterranean basin during the Classical period.  The words of power, technically voces mysticae, are the language of demiurges who act as intercessors between humans and the gods. continue reading…

Mistress of the Catacombs

Mistress of the Catacombs

Cover art: Donato

The common religion of the Isles is based on Sumerian cult and ritual.  That is, the Lady equates with Inanna; her consort the Shepherd equates with Dumuzi; and the Sister fills the place of Ereshkigal, Queen of the Underworld.

Religion in the Isles (and generally, except perhaps in fantasy fiction) is separate from magic.  The magic in Mistress of the Catacombs is based on the practice of the Mediterranean Basin in Classical times.  The wellspring was mostly Egyptian, but there were admixtures from many other cultures (particularly the Jewish).  What I’ve referred to as “words of power” are formally voces mysticae, words in the language of the demiurges who act as intercessors between humanity and the Gods. continue reading…

Servant of the Dragon

Servant of the Dragon

Cover art: Donato

The (common) religion of the Isles is based on Sumerian cult and ritual, but the magic itself comes from the Mediterranean and is mostly Egyptian in its original source.  The voces mysticae which I’ve referred to as “words of power” in the text represent the language of demiurges; that is, they are intended to have meaning to beings which can then translate human desires to the ultimate powers of the cosmos.  I have copied them from real spell manuscripts of the classical period.

I don’t personally believe that the voces mysticae have power over events, but millions of intelligent, civilized people did believe that.  I don’t pronounce the voces mysticae aloud when I’m writing. continue reading…